Showing posts with label supplies. Show all posts
Showing posts with label supplies. Show all posts

Wednesday, September 11, 2019

Sketchbook Hacks





I'm off to Montreal but as I was packing my art supplies I thought I would do a post about my sketchbooks.




I use a lot of sketchbooks, some I make some I buy.

But I always add a few things that make it work better for me and I thought I would share my sketchbook hacks.













First thing I add is a ribbon bookmark, very few sketchbooks have this feature at least not the ones with the paper I like.











This is very easy to add, just turn to the back of your sketchbook, cut a ribbon about 4-5 inches longer than your sketchbook, and then tape into place.  I use packing tape.


































Next thing I like to add is a pocket.

I tape this in place with packing tape again right in the back of the sketchbook as well.


















For a large sketchbook I just take a business sized envelope and cut it on the diagonal.

I save the other half as I can use it in the next sketchbook, just tape the opening closed and turn it to the other side.

















With smaller sketchbooks I will use different envelopes and cut them to size, taping as I go.
















Next thing I add is an elastic,  I know seems pretty low tech but I get asked about this.  As your sketchbook gets to be about 1/3 or more full it expands. (especially if you are adding paint)

The elastic helps to keep it together.

You will also find with a bound sketchbook that you will need to reinforce the binding as you go, again packing tape works great for this.















Even with a coil bound book I use an elastic.  Some people will use a binder clip but I find that it can make dents in your pages and there is never a big enough clip and it ends up falling off.












I then add a large ziplock bag.  With my large sketchbooks I can't close it but I will still store my sketchbook in one.

This has saved me more times than I can count especially when travelling.

It protects your pages from rain, spilled coffee, rogue ocean waves, sticky fingers, etc....



Another habit I have developed is using a date stamp.

I carry it with me when I travel and I use it in my sketchbooks.

 I don't use it if I think the painting is framable.

The first few pages of a sketchbook I leave blank.

I use them to add technical info or ideas that I want to always have available to me.  Lists, reference material, photos from my sprocket, stickers from my travels.

I usually add a business card or at least my name and cell # in case I lose my sketchbook.









So what types of sketchbooks do I like......it really is personal preference.


I like these bound Peter Pauper Press books.  You can find them at Chapters/Indigo which is great, they have very nice paper that holds up to painting and come in a few sizes.

They are also cheap.  Now with watercolour paint the paper will buckle but it is thick enough to get some paint effects that you don't get on lightweight paper.

Amazingly Michaels has a good bound sketchbook,  their Artist Loft one, which comes in lots of great colours actually has pretty good paper in it.  You will have to maintain the binding with tape as you go though.






I also really like these Nature Sketch books.  It has some of heaviest paper out there in a sketchbook.

I also like the wide variety of sizes it comes in.











The Nature Sketch books have off white (buff) paper in them.


Here is the Nature Sketch and the Peter Pauper Press side by side.












I also make a lot of sketchbooks using a Zutter machine.











The main reasons I make my own are:

- can have a variety of papers in one book including good quality watercolour paper as well as tan and grey sketch paper

- I can make it bigger, more pages

- I can make it the exact size I want. A lot of times paintings in my sketchbooks end up being framed, I can make a sketchbook that corresponds to common frame sizes.



Another system I use a lot when working with really high quality watercolour paper is a hand bound book and detachable cover.

So I will take 150-300lb wc paper,  score with a bone folder and tear into full pages (a large rectangle that is folded for 2 pages).

I will then stack them usually 3-4 deep and sew them together with a few binding stitches.




I then have a cover made from gatorboard and duct tape.  I use an elastic to hold the wc paper book into the cover.

I could give you all the instructions but you just need to watch these videos if interested in this system.

Video 1 Sketchbook

Video 2 Cover










One of the best parts of this system is that the cover is large enough when open that I can add these magnetic clips.


I just got these at Staples.













I can then have my metal watercolour palette attach to the book for easy painting in the field.




When I am not using the watercolour sketchbook I then close the cover and clip it together.  The gatorboard is thick enough that I don't get any dents in my paper and the elastic inside holds the paper in the cover.
 I prefer metal watercolour palettes so I can use those magnetic clips for both the sketchbook and on my easel.

I buy them empty and then fill up plastic half or full pans with my favourite paints.  I let them dry and then place them in the palette.

I do put magnetic tape under the plastic pans to help them stay in place, this also lets me add an extra row of paints.

This system also lets me change out the colours in my palette really easily.  I also have palettes of colours for places I travel to frequently.  I have a Maui palette, a Cabin/Mountain palette, and a desert palette. (Palm Springs, Phoenix).



For travelling my kit looks like this.

I have 2 metal watercolour palettes with the colours I'm using at the moment.

- pencils, eraser, sharpener, small ruler
- water brushes, I like sakura, make sure your water brushes have the little valve so they don't leak
- some watercolour pencils
- some fountain drawing pens
- molotow white paint marker




I put the water brushes, fountain pens, and molotow marker in a ziplock. This way I can easily remove it and set it out if I'm going thru airline security and the plastic bags helps with any leaks I may have.

One hint I also usually put a paper towel in that plastic bag to absorb any leaks.  I find my fountain pens may leak a bit while flying due to cabin pressure.







This post ended up being longer than I expected, hopefully I didn't ramble too much.

See you next time.

Gail




Wednesday, September 2, 2015

Painting Supplies



I was going to do a post on my favourite art supplies this week.  As I started to photograph them all I realized this was going be a book by the time I was done. :)  So I decided to focus on my favourite, painting supplies.


PAINT:
At school I use a lot of disk tempera.    It's washable, inexpensive, and responds like watercolour.

It can sometimes be a bit chalky. (less intense colour).   Look for disks that are bright and intensely coloured.

I keep colours in isolation and variety trays of 6.  Recycled yogurt containers and tuna cans work well. Note: I use a safety can opener, no sharp edges.   I use the individual containers when I am limiting what colours I want the kids to work with.

The easiest way to clean your trays is using a sponge.  Run the entire tray under the the tap and give it a quick scrub with the sponge. Drain out some of the water from the wells.  You won't get it all, tip it too much and all your paint disks will wind up in the sink.  Leave out to dry.

To clean an individual colour, moisten the disk with water and wipe with a sponge or paper towel. We use liquid tempera as well but I prefer acrylic.



I use a ton of acrylic paint.
I use acrylic because it's the most intense colour we can get and when dry it is permanent. (paper). That means we can layer colours without reactivating the bottom layer. (no smearing)

To protect their clothes, every student gets an art shirt, basically a large men's dress shirt with the sleeves cut short.  We wear them backwards for extra protection and we only button the top button for easy removal.

I have a little talk with the kids about acrylic paint before we start, how "we don't fool around with it as if gets on your clothes it will stay on your clothes".

I use craft smart from Michael's.  It's marketed as affordable craft paint but it is a really good acrylic.
The biggest issue with acrylic paint is opacity.  You only want to do 1 coat if you can.  There are times you want a transparent look (wash) but you can achieve that by adding water to your paint.
I like the bottle on the left with the squeeze top. To keep costs down I will buy the larger size and refill the squeeze bottle. Often I need to add a touch of water to thin it just a bit.  There is some clumping but I just remove the clot and keep going.

I use foam or plastic plates to hold my paint.

They are not good for the environment so I use them over and over.

I don't wash the plates.  At the end of the day I set them all out to dry and then I reuse them the next day.  During the day I stack them by placing one plate on top like a cover and place them in a safe area.

If I know we are going to be using the same colour with another class or later I keep them covered.  You can't do this indefinitely though as the paint eventually dries out or you run out of room. :)

With the plastic plates after several layers of paint I can peel the whole shebang off.  With thousands of kids I can reuse these plates all year long.

BRUSHES:

First off, you can always do more with a flat brush than a round.

Don't even bother ordering the large round brushes.


You want lots of large flat brushes, size 12.

A few sets of size 7 and some size 2.

I prefer nylon bristle as they keep their shape longer but they are more expensive than a natural bristle.








Natural bristle are the most common school brush.  They work fine but over time the bristle will start to wear out and break.

The flat develops a rounded edge.

Old natural bristle brushes make great scrubby brushes.  There are some effects that can only be achieved with an old scrubby brush so don't throw them out.




Every year I buy new sets of fine round brushes.

Kids are very hard on fine brushes so they don't last very long.














I move from school to school so I store my brushes in long plastic containers.

If the brushes are wet make sure to open those containers and let them dry out.

If you have a brush with a loose ferrule don't throw it out reattach it with a glue gun.






I also buy these cheap sealer brushes in the hardware store.
They are meant for one use only when you apply polyurethane/sealer but are great for kids.

They have a short handle and are  big so we get more paint down in a faster time.  Many techniques require wet paint....if you have a small brush it takes forever and the paint is dry long before you finish.

I also keep a set for podge/sealer.  I label them so there is no mix-up. If you use a regular brush you can get traces of paint staining your podge/sealer.
These brushes will last for years.  As they get beat up we tend to use them for basecoating or background painting.

BRUSHWASHING:


I use a bucket system for washing. Any large brushes or brushes we used for acrylic painting will get a once over by me.

I have hundreds of brushes and I have to be pretty vigilant regarding their care.  I hold my dirty brushes, "hairstyle down" thru the day in a bucket with about 3 inches of water.  When I have a moment I wash them.


My secret weapon..... good old Ivory soap.  At school I can go thru 1 bar a day!  To keep brushes in good shape you should only brush them back and forth on the soap but I would be lying if I said I never used a circular motion....sometimes you gotta do what you gotta do.

When clean I put them "hairstyle up" in the bucket.

Never store brushes bristle down.
At home I sometimes use brush cleaner.  You can sometimes rescue a brush (dried up acrylic) by smearing brush cleaner on it and wrapping it in plastic wrap.  Let it sit for a couple days and then wash.  I have also used Murphy's oil soap to clean and rescue brushes.  Note: Do not use soap on your podge/sealer brushes. This causes the sealer to become foamy.


SPRAYERS:
I always have a few water sprayers on me.

I use them to add water to paint on the palette in creating washes or just to thin it down a bit.

I also spray water on paint that we have painted if it is getting too dry. For example we want to lift some clouds but our sky has dried or we want to mingle some acrylics and they are drying too fast.
We also spray to get blooms and spatter effects on disk tempera and watercolours.

TAPE:

I buy green painter's mask in the bulk pack.  I use it to tape off paper we are working on.

It creates a nice white border or mat effect for display and it holds the paper down while kids are painting.

Regular masking tape tends to be too sticky ripping the paper when you remove it.

I use a lot of regular masking tape for other things (papier mache) as well as white hockey tape. (paints well)



Hair dryers are used for drying projects.















These 3 items are always close by:

- kleenex
- paper towels
and diaper wipes.

You be surprised how effective diaper wipes are for cleaning acrylic paint.










I also have collections of toothbrushes, eyedroppers, sponges, stamps, scrapers, combs, and printmaking tools that we use for painting.

Substrates can vary but we use a lot of canvas, canvas board, watercolour paper, heavy paper, cardboard, wood, hardboard, and recycled paper.

Working on more projects to post.......see you next time.
Gail